"Concentrating on Michelangelo's lifelong preoccupation with the image of the dead Christ, Alexander Nagel studies the artist's associations with reform-minded circles in early sixteenth-century Italy and his sustained concern over the fate of religious art in his own day. A reassessment of Michelangelo's work, this revisionist study sheds new light on High Renaissance and Mannerist art as a whole."--Jacket.
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