Resurrecting the Shroud -- Previous Scientific Treatment of the Shroud -- Examination of the Man in the Shroud -- The Man's Wounds -- Facial and Head Wounds -- Hand and Arm Wounds -- Scourge Marks -- Chest Wound -- Shoulder Injuries -- Leg and Foot Wounds -- Wounds Depicted on the Shroud Are Those of a Human Being -- Unique Method of Transfer of Blood from Body to the Cloth -- Death by Crucifixion -- The Images on the Shroud -- The Body Image Is a Negative -- The Body Image Is Superficial -- The Body Image Is Directionless -- The Body Image Is Three-Dimensional, Formed Through Space -- The Body Image Was Formed Along Vertical Paths -- Distinct Differences Between the Blood and the Body Images -- Technology and the Shroud Image -- Painting Theories Explored -- Spectral Studies of the Shroud -- Chemical Testing for Paint -- Painting Theory Disproved -- Attempts to Reproduce the Shroud Image -- Naturalistic Theories -- Vapograph (Diffusion) Theory -- Direct-Contact Theories -- Volkringer Method -- Singlet Oxygen Theory (Lomas and Knight) -- Bacteria and Fungi -- Artistic Theories -- Nickell Powder-Rubbing Method -- Craig-Bresee Method -- Heated Bas-Relief/Scorch Theory -- Hot Statue Method -- Radiation and Electrostatic Fields (Kirlian Method or Corona Discharge) -- Engraved Lines Technique -- Kersten and Gruber Method -- Medieval Photography -- Other Artistic Theories and Experiments -- Archaeological Artifacts and Other Evidence Pointing to Time, Place, and Identity of the Victim -- Textile Studies of the Shroud.
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