Brief history of intaglio / Elizabeth Dove -- Intaglio and the tradition of toxicity -- Non-toxic intaglio studio -- Intaglio plate -- Plate cutting -- Plate preparation -- Making a plate hanger -- Pro-vertical etching tank -- Etchant ferric chloride / Stephen Hoskins & Dr. Roy Pearce -- Edinburgh etch / Friedhard Kiekeben -- Ferric chloride preparation -- Paper -- Making a print mailing tube -- Intaglio press set-up -- Intaglio press modifications -- Intaglio printing -- Making an imagOn dispenser -- Introduction to the intaglio-type -- Intaglio-type quick-start -- Intaglio-type quick-start guide -- Non-etch intaglio-type -- Etched intaglio-type -- Wash-drawing intaglio-type -- Layered intaglio-type -- Wrinkled intaglio-type -- Mezzo intaglio-type -- Direct intaglio-type -- Relief etch intaglio-type -- Transfer intaglio-type -- Lith film photographic halftones -- Chameleon intaglio-type -- Intaglio-type four colour separation -- Halftones without a darkroom -- Contone intaglio-type -- Exposure systems for the intaglio-type -- Sun exposure intaglio-type -- Ink foil mono-print -- Working the plate -- Reworking the plate -- ImagOn safe handling guide -- Acrylic aquatint -- Water resist/aquatint stencils -- Destruction-ground -- Reverse mezzotint -- Crayon resist -- Acrylic soft-ground -- Acrylic hard-ground -- Non-toxic polyester plate lithography / George F. Roberts -- Health and safety in printmaking / Monona Rossol -- Graduate studies in non-toxic printmaking -- Canadian School for Non-toxic Printmaking -- Prospectus for program collaborations -- Summer printmaking workshops.
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