Traditional and digital color prints, color negatives, and color slides: which products last longest? -- Accelerated tests for measuring light fading, dark fading, and yellowish stain formation in color prints and films -- Light fading stability of displayed color prints -- The effects of print lacquers, plastic laminates, 3M Photogard, and UV-absorbing plastic filters -- Dark fading and yellowish staining of color prints, transparencies, and negatives -- Projector-caused fading of 35mm color slides -- Monitoring the long-term fading and staining of color photographs in museum and archive collections -- Color print fading and the professional portrait and wedding photographer -- what to do about a troubling situation -- The permanent preservation of color motion pictures -- The extraordinarily stable technicolor dye-inhibition motion picture color print process (1932-1987) -- Print mounting adhesives and techniques, tapes, rubber stamps, pencils, inks, and spotting methods for color and B & W prints -- The handling, preservation, and conservation matting of photographs -- Composition, pH, testing, and light fading stability of mount boards and other paper products used with photographs -- Envelopes and sleeves for films and prints -- Framing materials, storage boxes, portfolio cases, albums, cabinets, and shelves -- The storage environment for photographs: relative humidity, temperature, air pollution, dust, and the prevention of fungus -- Display and illumination of color and black-and-white prints -- Handling and preservation of color slide collections -- Frost-free refrigerators for storing color and black-and-white films and prints -- Large-scale, humidity-controlled cold storage facilities for the permanent preservation of B & W and color films, prints, and motion pictures.
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