Part I: 1776-1815 -- Painting. Changes in history painting ; France ; Jacques-Louis David ; Francisco de Goya y Lucientes ; The rise of Romanticism in England ; The Neoclassic-Romanticism Dilemma ; Painting in France after David ; The Image of the Ruler ; Varieties of Landscape Painting ; The Nazarenes ; Romantic Meditations in German and England -- Sculpture. England ; Scandinavia ; France ; Antonio Canova ; The early Thorvaldsen ; Austria and Germany -- Part II: 1815-1848 -- Painting. Retrospection and Introspection: the congress of Vienna and Late Goya ; Théodore Géricault ; Delacroix, Ingres, and the Romantic-Classic Conflict in France ; Turner and Romantic Visionaries ; Constable and Romantic Naturalism ; From History Painting to Biedermeier ; Empirical Directions ; Social Observers -- Sculpture. The Mature Thorvaldsen ; England ; United States ; Italy ; Germany ; France ; The Romantic Theory of Sculpture -- Part III: 1848-1870 -- Painting. The 1848 Revolution: some Pictorial Responses ; Jean-François Millet ; Gustave Courbet ; Materialism versus Idealism ; Poverty and Piety ; The Pre-Raphaelite Brotherhood ; History Painting ; Escapist Modes in Figure and Landscape Painting ; The 1860s: Manet and Painting in Paris ; Painting out of doors: Toward Impressionism -- Part IV: 1870-1900 -- Painting. Reflections of the Franco-Prussian War ; 1874: The First Impressionist Exhibition ; 1874: At the Paris Salon and the Royal Academy ; The 1870s: From Realism to Aestheticism ; Interiors: Domestic and Erotic ; Changes in History Painting and Portraiture ; National Landscape ; Paul Cézanne ; Georges Seurat and Neo-Impressionism ; Vincent van Gogh ; Ensor, Klinger, Redon ; Pul Gauguin and the Origins of Symbolism ; The 1890s: Postscript and Prologue -- Sculpture. France ; Italy ; Belgium ; England ; United States ; Postscript: the fin de siècle.
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