Peter Schickele presents An evening with P.D.Q. Bach (1807-1742)? Concerto for horn and hardart (S. 27) Iphigenia in Brooklyn : S. 53162 Quodlibet for small orchestra Sinfonia concertante (S. 98.6) (chamber orchestra; Jorge Mester, conductor) -- An hysteric return : P.D.Q. Bach at Carnegie Hall with Professor Peter Schickele. The seasonings : S. 1/2 tsp. "Unbegun" symphony Pervertimento : for bagpipes, bicycle, and balloons (S. 66) (the Royal P.D.Q. Bach Festival Orchestra; Mester) -- P.D.Q. Bach on the air. Echo sonata : for two unfriendly groups of instruments New horizons in music appreciation : Beethoven's Fifth symphony Traumarei : for unaccompanied piano What's my melodic line? Fugue in C minor : from the Toot suite : for calliope four hands (John Ferrante, countertenor; I Virtuosi di Hoople) -- The stoned guest. The stoned guest Two madrigals from The triumphs of Thusnelda. The Queen to me a royal pain doth give ; My bonnie lass she smelleth (the Orchestra of the University of Southern North Dakota at Hoope Heavy Opera Company; John Nelson, conductor) -- The intimate P.D.Q. Bach. Hansel and Gretel and Ted and Alice : S. 2n-1, an opera in one unnatural act The O.K. chorale : from the Toot suite : for calliope four hands (S. 212°) "Erotica" variations : S. 36EE, for banned instruments and piano The art of the ground round : S. 1.19/lb, for three baritones and discontinuo (Semi-Pro Musica Antiqua; John Ferrante, bargain countertenor; David Oei, keyboards; John Nelson, singist) -- The "Sanka" cantata
|
