Introduction: Classifying knowledge / Dorothy C. Rowe and Abigail Harrison-Moore -- The architectural plates from the "Encyclopedie" / Denis Diderot -- The plates of the Encyclopedia / Roland Barthes -- From The Archaeology of Knowledge / Michel Foucault -- PART I: KNOWLEDGE, TASTE, AND SUBLIMITY, c. 1750-1830: Introduction / Abigail Harrison-Moore -- Palladian permeation: the villa / John Summerson -- The country house: form, function, and meaning / Dana Arnold -- Plans and elevations for the Villa of Lord Mansfield at Kentwood / Robert and James Adam -- From The Royal Academy Lectures on Architecture / Sir John Soane -- From A Description of the Villa / Horace Walpole -- Thomas Jefferson / James Ackerman -- From A philosophical inquiry into the origin of our ideas of the sublime and beautiful / Edmund Burke -- On architecture and buildings / Sir Uvedale Price -- From An Analytical Inquiry into the Principle of Taste / Richard Payne Knight -- Iconography and landscape / Stephen Daniels and Denis Cosgrove -- The plans and elevations of John Nash / John Summerson -- Architecture, Essay on Art / Etienne-Louis Boullee -- The sphere: reading a gender metaphor in the architecture of modern cults of identity / Susanne von Falkenhausen -- Karl Friedrich Schinkel / David Watkin and Tilman Millinghoff -- Reading architectural herstories: the discourses of gender / Dana Arnold -- PART II: URBANISM, REFORM, AND REVIVAL, c. 1830-1910: Introduction / Abigail Harrison-Moore and Dorothy C. Rowe -- An apology for the revival of Christian architecture in England / A.W.N. Pugin -- Architecture in the Nineteenth Century: importance of method / Eugene-Emmanuel Viollet-le-Duc -- From Science, Industry and Art / Gottfried Semper -- The nature of Gothic / John Ruskin -- The revival of architecture / William Morris -- Some recent designs by M.C.F.A. Voysey -- Style / Louis Sullivan -- Ornament in architecture / Louis Sullivan -- The tall office building artistically considered / Louis Sullivan -- Plasticity / Frank Lloyd Wright -- The nature of materials / Frank Lloyd Wright -- Women and architecture / Lynne Walker -- The programmes of the Architectural Section of the Ecole des Beaux-Arts / AnnieJacques -- Adler and Sullivan at the 1893 World's Columbian Exposition in Chicago / Zeynep Celik -- Public parks and the enlargement of towns / Frederick Law Olmsted -- Paris: building a European capital under the Second Empire / Anthony Sutcliffe -- Garden cities of tomorrow / Ebenezer Howard -- Modern systems / Camillo Sitte -- Construction / Otto Wagner -- PART III: ARCHITECTURE FOR TOMORROW, c. 1910-2000: Introduction / Dorothy C. Rowe -- Ornament and crime / Adolf Loos -- Architecture / Adolf Loos -- Manifesto of Futurist architecture / Antonio Sant'Elia -- The Turbine Hall of the AEG / Peter Behrens -- The state of German architecture / Sigfried Giedion -- Programme of the Staatliche Bauhaus in Weimar / Walter Gropius -- Letter to the younger generation / Marianne Brandt -- Space (Architecture) / Laszlo Moholy-Nagy -- Where do we stand? / Marcel Breuer -- The problem of a new architecture / Eric Mendelsohn -- The creative spirit of the world crisis / Eric Mendelsohn -- Solved problems: a demand on our building methods / Mies van der Rohe -- Expansion of the educational program / Mies van der Rohe -- Report of the De Stijl Group / Theo van Doesburg -- From Towards a new architecture / Le Corbusier -- Architecture is everything, city planning is everything / Le Corbusier -- On discovering Gaudi's architecture / Le Corbusier -- The split wall: domestic voyeurism / Beatriz Colomina -- Nine points on monumentality / Jose Luis Sert, Fernand Leger, and Sigfried Giedion -- Monumentality / Louis I. Kahn -- Reaffirmation of the aims of CIAM / Congress of International Modern Architects -- Functionalism and technology / Reyner Banham -- The death of modern architecture / Charles Jencks --Towards a critical regionalism: six points for an architecture of res istance / Kenneth Frampton -- The pleasure of architecture / Bernard Tshumi -- Scale and span in a global digital world / Saskia Sassen.
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