Preface -- Introduction -- PART I: THE FOURTEENTH CENTURY AND THE INTERNATIONAL STYLE: Exploitation and discovery -- France and the Netherlands -- Bohemia -- Austria and Germany -- PART II: THE FIFTEENTH CENTURY: Observation and exposition -- The Master of Flemalle -- The Van Eycks -- Roger van der Weyden -- The second generation: Ouwater, Bouts and his followers -- The second generation: Joos van Ghent and Hugo van der Goes -- Geertgen tot Sint Jans and the Master of the Virgo inter Virgines -- Hans Memline -- The minor masters and manuscript illumination in Flanders -- Gerard David -- Hieronymus Bosch -- The painters of France -- Spain and Hispano-Flemish painting -- Painting in Germany and Austria: the first half of the Century -- Painting in Germany and Austria: the second half of the Century -- PART III: THE SIXTEENTH CENTURY: Confrontation and conflict -- Albrecht Durer -- Grunewald -- Lucas Cranach the Elder -- Albrecht Altdorfer -- Hans Baldung Grien -- The Durer School, Danube-style followers, and Swiss painting -- Painting in Augsburg: Hans Holbein the Elder, Hans Burgkmair, and Hans Holbein the Younger -- The Netherlands: Metsys and Patinir -- Flemish Mannerists and early Romanists: Jan Gossart, Joos van Cleve, and Bernard van Orley -- Dutch Mannerists and early Romanists: Mostaert, Van Oostsanen, Engelbrechtsz, Lucas van Leyden, and Jan van Scorel -- Later Romanists and the rise of genres -- Pieter Bruegel the Elder.
|
